Thursday, July 3, 2008

W.C. Fields in 'It's A Gift' (1934) - Blind Man with Cane




Fred's sensitive and humorous blog detailing his volunteer work helping members of a convention of legally-blind folks brought me to mind one of the best scenes from W.C. Fields' classic film, "It's A Gift".

The story concerns a harassed husband/shop owner who comes into some unexpected money and heads west to California to buy a small orange farm. Of course, all turns out not so well. Like "The Bank Dick" (1940) and "Man on the Flying Trapeze" (1935), Fields plays a quietly desperate man-on-the-ropes who is set upon by forces like pushy shop customers screaming for service, anal bill collectors, snoopy accountants, cops, cranky mothers-in-law and small children. He is an Everyman who is rapidly losing ground and perhaps his sanity, yet, in the end, never gives in to conformity.
The story behind the scene is that Fields--who wrote the screenplay based in part on some of his old vaudeville routines--bet a friend at Paramount Pictures that he could create a scene that would include a old blind man at the center of the gags and still make people laugh.

Fields made some of his best films playing long-suffering heads-of-households with very critical wives and nasty in-laws. He also scored as a Class-A wandering reprobate in such films as "Poppy"(1936) and "You Can't Cheat an Honest Man"(1939). Never a man to let work interfere with his "drinking, smoking, cheating at cards and reading the Police Gazette"", his characters were very popular with frustrated Depression-Era audiences and, after his death, with anti-establishment sympathizers in the Sixties and Seventies who saw in Mr. Fields an old school avuncular rebel who fought the forces of pretension and conformity to at least a draw.

The Blind Man was played by Charles Sellon.

11 comments:

  1. Not seen that before. Brilliant, one of my favourite characters of the period.

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  2. Fields had a major effect on John Cleese's humor. Cleese has cited Fields's as his favorite screen comedian, an influence fully formed in "Fawlty Towers"

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  3. Didn't know that but thinking back I can see the relationship now.

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  4. Wc Fields was brillent. I always loved to watch him as a kid

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  5. Me too. I thought his and the Marx Brothers films were the funniest things on late-night t.v.

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  6. Come here you little chick a dee

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  7. Ah, yes. Lest we forget Mae West--still probably the most liberated woman in American film history. Her and Fields were both wisecracking rebels

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  8. Why is it that people who eat kumquats are always so damned impatient?
    I've noticed that myself, they're always the complete opposite of those who like pomegranates.
    LOL @ the 'house detective' gag. I haven't seen this film either I don't think, unless it was so long ago I don't remember, but of course I am also a WC Fields fan myself. Thanks for posting this clip Doug, it is great.

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  9. I never noticed that kumquats/pomegranates contrast, AA. But, giving it a review, why, you're absolutely right.

    I think it has to do with the high amount of caffeine in that fruit. In a word, addiction and agitation. OK, that's two words. Technically three if you must count the conjunctive "and".
    I like that scene so much that my very attempt at at web-page ever was titled, simply, "Kumquats!"

    Love the way W.C. slips in the "house detective" remark. Great throwaway. Alas, it's only thru DVD, Turner Classic Movies and big city film achieves that his best films ever see the light for potential new fans.

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  10. Najduhovitiji Ĩovek Amerike - tako je o njemu rekao Charlie Chaplin. Ima stranicu i na Enciklopediji Britanica.

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