Wednesday, September 17, 2008

Hollywood on Women : Femme Fatales

A femme fatale (plural: femmes fatales) is an alluring and seductive woman whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations. She is an archetypal character of literature and art. Her ability to entrance and hypnotize her male victim was in the earliest stories seen as being literally supernatural, hence the most prosaic femme fatale today is still described as having a power akin to an enchantress, vampire, female monster or demon. The ideas involved are closely tied to fears of the female witch  and misogyny. (wikipedia)

Although women had been portrayed in movies for decades as "vamps"--short for vampires, a phrase more common to women than men in the Silent Film Era-- it was during the post World War II era that a block of "film noir" movies came out of Hollywood studios. Such alluring actresses as Ava Gardner, Lana Turner, Linda Darnell, Gene Tierney, Gloria Grahame (pictured, left)   and the quintessential femme fatale, Jane Greer in "Out of the Past" (1947) brought to the screen cold-blooded ladies who saw men as their tickets not to marriage and blissful domesticity but as pawns to be used to kill unwanted husbands or anybody else who stood in their way to some kind of "warped"  happiness.

 Commentators have speculated that part of the reason for this trend was the opening up of women into the workforce during war mobilization and the fear among men returning from the war that women would not accept their old roles as domestic helpmates. 

There was probably some truth to that, and these films, while meant to be entertainment, also reinforced the notion that there was something warped about a woman who wanted the same freedom men took for granted.   Or, at the very least, they also offered female viewers a chance to see some "bad girl" escapism.    Of course, the fatal woman is still around in suspense movies today but I doubt she has the impact as a character that she did to audiences back in the 1940's and early 50's.

Here's a little tribute to those films, which speaks for itself.  The first is a few minutes of "Out of the Past" with Ms. Greer as Kathie, a lady so bad she knocked off her gangster boyfriend (Kirk Douglas) and didn't even clean up around the the living room where she plugged him!   The next video is a compilation  of these ladies and their deeds set to the music of The Velvet Underground's "Femme Fatale".    

 

 

31 comments:

  1. And let's not forget they can be "fatal" with those pointy boobs too....

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  2. LOL! Yes, Marianne, no man would want to give her a hug on her birthday unless he was wearing a chain mail shirt.

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  3. A femme fatale is a cunt who couldn't use her brains to fight her way out of a wet paper bag.

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  4. You cannot imagine how glad I am that you said that and not me, khoreia.

    I wish I was as cool as Robert Michum is in that situation---or at least as tall.

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  5. Women as "fatal" was always about men's anxieties, never about real women.

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  6. I agree Iri Ani. It's definately a projection by men on women.

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  7. Can I be proclaimed a sexist now by the Republicans because I proclaim that woman should not be hiding behind the sexism line when I say women who want to act like femme fatales should be held to the same standards as men who are out in bars picking up those same femme fatales?

    Cindy McCain anyone?

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  8. No, grifters have no standards Ari. They try to repackage themselves as whatever they can sell themselves at in the current market rate.

    Whores are whores.

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  9. Yes females, what fun they were in those old films. Movies of that era created so much atmosphere.

    At least when she got her man, we weren't subjected to watching them grope each other. Give me the door closing and leave the rest to me stuff any day.

    That kind of woman often lost to the little miss mouse next door type, so the guy had someone to wash his socks in the end, hahahaha.

    Great films and reading, Doug! thank you...

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  10. An interesting genre of film making. The comments were almost as interesting as the genre itself. Thank you for the trip back in movie making

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  11. Yes, I think that was one of the great things about those films, Cassandra. The dark expressionistic style of "film noir" gave a sense of menace and mystery to the setting. And who needed "groping" when you had those provocative looks men and women gave each other.
    And,yes, sometimes a femme fatale lost out on a guy who chose himself a "nice" woman who would take care of his laundry--assuming he survived the first lady. :-)

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  12. Indeed. The postings were insightful.
    The last part of the "femme fatale" video is from the movie "Laura" (1944), which is a bit misleading because the lady in question (Gene Tierney's Laura) is not a true femme fatale. She has no lethal impulses, but just enchants certain men like crazy--just by her portrait.
    On the other hand, Gene Tierney in "Leave Her to Heaven"(1945)--all I can say is "wow!", followed later on by "yikes!"
    Here's a clip of the film. Ladies, you do not have to wear a bathing cap to view this, although it is recommended.




    Here's a synopsis of the latter film, from the the San Francisco Sentinel Website:




    Nothing in cinema is more beautiful, more depthless, yet more impenetrable than the emerald eyes of Ellen Berent in LEAVE HER TO HEAVEN. This damaged and dangerous woman is one of the most compelling characters of Hollywood’s Golden Age. In an Oscar-nominated performance, gorgeous Gene Tierney, fresh from her captivating portrayal in LAURA, embodies a femme fatale far more magnificent and malignant than film noir’s garden variety. Successful novelist Richard Harland (Cornel Wilde), a straight arrow about to be irreparably bent, meets Ellen on a train. She takes him home to her family. They marry, despite hints that something is not quite right with Ellen. In wedlock, Richard bridles under Ellen’s smothering devotion. When his attention strays to his younger brother Danny (Darryl Hickman), or Ellen’s sister Ruth (Jeanne Crain), there is, quite simply, hell to pay.

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  13. Left to the mercies of a femme fatal ....What a way for a man to die! Hahaha...

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  14. Beats falling off a ship in a typhoon I suppose. :-)

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  15. I love that line............................. "No, Ellen's going to win, Ellen always wins." How underlyingly menacing is that? I must get this film on ebay.

    Thank you for that reminder Doug, femme fatales are such fun to watch in action. They nearly always get their come upance, but what pure entertainment they bring to a film!

    It would all be a bit obvious in real life .;-))

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  16. I can get that film on ebay. I just checked and it is very reasonably priced! I can't wait to watch it again...

    Thanks,

    Cassie

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  17. Yes, that's movie jumped on the top of my list to see again after seeing that clip, Cassandra...nice little foreshadowing with scene, that swimming race Ellen just HAD to beat the kids in. I believe according to the SF Sentinel site that this movie was restored recently, so the color on it should be outstanding.

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  18. Teehee, jumped up little oiks, why shouldn't she win? I thought the water looked a tad murky!;-)

    I plan to have some chocolate in and the log fire burning, ah yes, that will suit me fine. What's your weakness when watching a film Doug?

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  19. Maybe, but at least he'd have somewhere to hang his coat!

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  20. I'll settle for an iced tea and a chocolate chip cookie.

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  21. Good thinking Ian! You're a man who sees utility where other men only see...well, a lady in a sweater.

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  22. It's been years since I saw the movie Laura, but I remember it had a hauntingly beautiful score. And I always loved the title song. Can you find it sometime? thanks...!!!

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  23. It is a great theme, truly unforgettable! I will try and find it.

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  24. If I remember rightly, Doug. Wasn't Laura, the film where all the men saw her in a very different light. Dana Andrews was in it with her.

    I found this clip, but you may know of a better one. I'm sure we'd love to see it.

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  25. That's a excellent version, Cassandra. Thanks. Great selection of clips from her 1940's films. Hard to be at a young Frank Sinatra, who sounds in great form here. I re-viewed one of the films featured here, "Leave Her to Heaven", and its quite clear from that film and "Laura" she was as talented as she was beautiful.

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  26. No,really, thank you Doug! I watched, "Leave Her to Heaven," after reading about it here and it certainly was a good film. Next, I want to watch "Laura" again. If you want to see a film on the old movie channel, you can bet your life, they will make you wait for it and I find myself turning to ebay.;-)

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  27. "Laura" is one I finally saw in its entirety a few months back (how I missed it this long I'll never know). I'm glad you enjoyed "Leave Her to Heaven", Cassandra. To me, its a fine example of a then-popular notion of taking a page-turning novel and transfering it into a big Hollywood studio film. Another outstanding example of this treatment was Alfred Hitchcock's first American Film, "Rebecca" (1940) , which also features a great cast, almost all of them, like "Hitch", British ex-patriates.

    In that one of course, the "femme fatale" is not the new bride of Maldelay mansion, Joan Fontaine, but the evil housekeeper, Miss Danvers, played chillingly by Dame Judith Anderson.

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  28. Haha, if you knew how many times I have seen, "Rebecca"! It is a great film and of course, "Daphne Du Maurier's" books are so easy to get into and the film did the book justice. What atmosphere, eh? Mrs Danvers gave me the creeps with her great acting of a chillingly, obsessed, housekeeper. What a super period for films that was!

    So "Laura", escaped your net for a while? All the more an enjoyable find...

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